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SMALL WIDTH E FRANKLIN GOTHIC FONT SERIES

Grand Central (1998–2000) - wedge-serif “Latin” capital alphabet, inspired by a Beaux Arts alphabet used for signs at Grand Central Terminal, New York.

Griffith Gothic (1997–2000) - revival of Bell Gothic by Chauncey H.

Intended to harmonise with Poynter Oldstyle.

Poynter Gothic (1997–99) - grotesque sans-serif loosely inspired by sans-serif typefaces designed by Morris Fuller Benton of American Type Founders, including News Gothic and Franklin Gothic.

Some display styles drawn by Cyrus Highsmith.

Poynter Old Style (1997–2000) - inspired by the high-contrast, slightly condensed old-style serifs of the Low Countries, in particular those designed by Hendrik van den Keere.

Some styles drawn by Christian Schwartz and others by Richard Lipton.

Benton Modern (1997–2001) - revival of the Century type family, a large Didone body text family by Morris Fuller Benton of American Type Founders.

Estupido-Espezial (1995) - joke redesign of OCR-A with swashes and a long s Used for a "technology" section of Rolling Stone.

Pilsner (1995) - blocky sans-serif, inspired by a beer label.

Citadel (1995) - Art Deco-influenced slab serif, similar to City but with an inline style.

Later replaced by Benton Sans by Cyrus Highsmith. First commissioned by Martha Stewart Living magazine, with additional styles commissioned by Worth magazine.

Benton Gothic (1995–97) - grotesque sans-serif loosely inspired by sans-serif typefaces designed by Morris Fuller Benton of American Type Founders, especially News Gothic.Asphalt (1995) - bulging casual sans-serif, somewhat similar to Antique Olive Nord and Ad Lib.Niagara (1994) - Art Deco-influenced display typeface with minimal serifs, similar to Onyx or a lighter version of City.Several italic styles were designed by Cyrus Highsmith, and the monospaced versions were designed by Christian Schwartz.

SMALL WIDTH E FRANKLIN GOTHIC FONT SERIES

Interstate (1993–2004) - inspired by the Highway Gothic series of alphabets for the FHWA.Created for Neville Brody's Fuse magazine, one of several drawn by Frere-Jones that appeared in Fuse in this period. Reactor (1993–96) - distressed sans-serif, an example of the “grunge typography” style of the 1990s.Designed with David Berlow, Tom Rickner and Jane Patterson. Eldorado (1993–94) - revival of Dwiggins' Eldorado (1953), itself based on a 16th-century font by Jacques de Sanlecque the Elder.Ī digitisation of Eldorado by Font Bureau, on which Frere-Jones collaborated (shown is the Text optical size). Epitaph (1993) - decorative sans-serif inspired by an Art Nouveau typeface issued by American Type Founders.Cafeteria (1993) - casual sans-serif similar to hand lettering.Garage Gothic (1992) - somewhat distressed, blocky sans-serif with rounded corners, inspired by parking ticket receipts.One of several revivals of this design another exists by the Dutch Type Library. This was developed by Sjoerd Hendrik de Roos and Dick Dooijes by taking the Berthold foundry's Berthold-Grotesk and altering some characters. Nobel (1991–93) revival of the Lettergieterij Amsterdam geometric sans-serif.Hightower Text (1990–94) - a "Venetian" old-style serif inspired by the work of Nicolas Jenson.Armada (1987–94) - geometric sans-serif, similar to gaspipe lettering.Originated as a logo for his brother's band. Programmatically using Row Data Bound If e.Row.RowType = DataControlRowType.Header Then Unfortunately, all other methods I tried did not work. I tried using the Gridview parameter for header font style but it doesn't really work. I am having a problem in forcing gridview header to "unbold".